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Ethernet, BNC and AES Cables

Ethernet, BNC and AES Cables — SoundsGood

These cables serve different digital connections: networking, coaxial links and professional audio. Start with the equipment interface rather than treating the category name as a common specification.

System selection

Check the intended use, connections and component compatibility.

Warranty and documents

Warranty conditions depend on the individual product.

Payment in instalments

PrivatBank and monobank; confirm available terms when ordering.

Delivery in Ukraine

Nova Poshta delivery and Kyiv collection by prior arrangement.

How to choose a cable

Parameter Purpose What to check
Signal Device compatibility Audio, data, control or power.
Connectors Connection Type, contacts and wiring at both ends.
Length Routing Distance, allowance and interface limits.
Construction Working conditions Finished cable or cable sold by length.

Selection guide

Three distinct applications

For Ethernet, check cable category and network equipment requirements. BNC describes a connector, so also confirm application and characteristic impedance. XLR-based AES and coaxial implementations have different requirements; changing the plug does not replace proper interface matching.

Connectors and wiring

Note both device models, the input and output labels and the required signal direction. Compare contact count, wiring and port function as well as connector shape. An adapter with matching plugs does not necessarily convert the signal.

Length and working conditions

Measure the actual cable route with a modest allowance at the equipment. Stage use calls for flexibility, strain relief and convenient coiling; permanent installations require cable suitable for the installation conditions. Observe the distance limits of the selected interface.

Check the supplied item

Confirm whether the item is a finished cable, cable sold by length or a dedicated accessory. Check both ends, length and the exact part number. Test every channel at its operating level after connection and label cables by function.

Connections, accessories and initial checks

Devices

Note the exact source and destination models.

Ports

Check the input and output labels.

Route

Choose a length without unnecessary loops.

Test

Check the connection before use.

Separate networking, digital audio and clock connections

Start with an equipment diagram and label every connection by function. One cable might link network ports, another carry a digital audio stream and a third provide a separate synchronisation path. Grouping these products in a catalogue makes them easier to find without making them interchangeable. For each link, record exact device models, port labels, format and route length. This makes comparisons meaningful and avoids buying the right looking connector for the wrong purpose.

Read the labels beside the sockets carefully, particularly when several similar connectors share a rear panel. A photograph helps capture those labels, but the manual supplies the actual requirements. An arbitrary adapter is not evidence that two interfaces are compatible. Give audio data, control and synchronisation their own lines in the purchasing specification, with the required number of finished cables for each task. This makes the intended system easier to agree on before equipment arrives at the venue.

Ethernet for networked audio

Choose network cable according to device requirements and the complete route. Dante recommends CAT5e or CAT6 for most of its networks. That recommendation does not establish compatibility between every device with a similar looking socket. Identify the equipment's protocol first, then check its documented cable requirements. Compare jacket markings with the specification of the finished assembly, including its connectors.

A permanent studio and a touring package have different practical priorities. The studio benefits from tidy installation, accessible panels and clear labelling. Stage use adds repeated coiling, mechanical handling and protection around connection points. Include any intermediate panel in the connection diagram. Before ordering a long finished cable, confirm that its length and construction suit the actual network equipment. Also consider access to the connectors once every device has been installed in the rack.

BNC describes a connector, not the complete signal

Select a BNC cable using the port's function and line requirements. For example, the RME AVB Tool manual specifies 75 ohm coaxial cabling for Word Clock. That is a requirement for a particular interface, not a reason to connect arbitrary BNC sockets together. Determine whether the link carries audio data, a clock signal or another type of information, and follow the manufacturer's connection scheme.

Give a synchronisation system its own plan: identify the clock source, the receiving devices and their input settings. Check termination requirements in the equipment manuals rather than adding T pieces or terminators by guesswork. Specify the required cable type as well as BNC connectors at both ends. If several coaxial links serve different functions, label both ends of each by purpose. This is particularly useful when equipment is rearranged or several technicians work on the same installation.

AES over XLR and coaxial AES

RME explains the distinction between AES/EBU and AES3id: the balanced implementation uses 110 ohms and the coaxial implementation uses 75 ohms, with different connectors and electrical characteristics. Choose a digital cable from the port specification. Resemblance to a microphone XLR connection or another coaxial lead does not replace this check. A purchasing description should name the complete interface rather than simply requesting an audio cable.

When two implementations must be joined, establish the recommended matching method first. A product with the desired plug shapes may provide only a mechanical transition when the system requires an appropriate matching or conversion device. Do not treat a successful short temporary connection as validation of a long permanent run. Record the cable part number, length and equipment ports in the studio specification so a repeat order reproduces the tested configuration. Keep information about any interface adapters alongside the main diagram.

Installation checks and functional testing

After routing, check plug seating, strain relief and access for maintenance. A long suspended cable section should not hang entirely from the connector. Label the ends by purpose and compare them with the diagram. In a portable system, pack cables so their connectors cannot strike heavy equipment during transport. Keep damaged items apart from the working stock to prevent accidental reuse. Repeat the functional check after a repair or replacement before returning a cable to regular service.

The test follows the function. For a network, confirm access to the intended devices and the audio route. For a digital audio link, check channel transmission. For a clock connection, inspect the equipment's relevant status. Then listen to or record test material in the actual operating configuration. If interruptions appear, document the symptom and change one component at a time. A connection indicator alone does not prove that every channel is routed correctly or replace an end to end audio test. Complete these checks before rehearsal or recording, while there is time to resolve a problem.

Questions for a useful purchasing specification

Is the most expensive cable necessary? The first requirement is suitability for the interface, distance and working conditions. Compare documented specifications, connector construction and service access. Price and apparent thickness do not establish whether a product matches your port. For an important event, include a tested spare of the required type and make it easy to identify among the other accessories.

How can unnecessary adapters be avoided? Provide a diagram, photographs of labelled ports, exact equipment models and measured routes. State which cables remain installed and which travel regularly. Agree on every link separately, including intermediate panels. After testing, keep the final list of part numbers and lengths for maintenance or expansion. Update that list whenever equipment changes so the next order matches the system currently in use rather than an earlier configuration.

Related equipment

Buy sound equipment at SoundsGood

We can help match sources, channels, speakers, connections and budget. Provide a list of existing devices and describe where the system will operate. Confirm the warranty period and included accessories for each product.

Free delivery applies to online-paid orders from UAH 4,000. Promotional items, promo codes, special-order items and instalment payments are excluded. See the payment and delivery page for full conditions.

Tender and corporate purchasing

SoundsGood supplies sound equipment for educational institutions, studios, concert halls, conference rooms, and public and private organisations. A technical brief can be used to agree on system components, specifications, a commercial quotation, documentation and delivery arrangements.

Frequently asked questions

Are matching connectors enough?

No. Signal types, contacts and wiring must also be compatible.

Should I buy a much longer cable?

Choose a length with a modest routing allowance and observe interface limits.

How can I confirm compatibility before ordering?

Give SoundsGood the exact device models, port labels and required length.

Need help selecting a system?

Tell us about the room, sound sources, number of performers or participants, and existing equipment so we can help select compatible components.

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